Film Aesthetics Approaches

This portion of the exhibit will focus on film aesthetics (cinematography, music, costume design, and mise-en-scene) and how they articulate male dilemma on screen.  The entries on cinematography will focus on particular patterns in the camera work in Alfred Hitchcock’s Vertigo (1958), Eliza Kazan’s On the Waterfront  (1954), Akria Kurosawa’s Ikiru (1952), Carol Reed’s The Third Man (1949), and Nicholas Ray’s Rebel Without a Cause (1955).  The musical score entries will focus on Eliza Kazan’s On the Waterfront  (1954), Akria Kurosawa’s Ikiru (1952), and Carol Reed’s The Third Man (1949).  The discussion on Alfred Hitchcock’s Veritgo (1958) and  Carol Reed’s The Third Man (1949) will focus on mise-en-scene, cinematography, and character blocking.

By Pathos of the Privileged

Curators: Emmanuel Roberts, Lucia Meneses, Juliette Sicard, Daniella Lopez

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